Showing posts with label Advertisements. Show all posts
Showing posts with label Advertisements. Show all posts

Monday, 20 February 2012

One thing you'll probably never see on Top Gear

Something not case-related, but part of the atmosphere of late 1920s newspaper advertising.

Daily Herald, 8 April 1927, p. 5.

I think it's rather a shame that the concept of 'motoring chocolate' seems to have declined.

Perhaps it's time for a revival?

Thursday, 9 February 2012

'A strange new creature called woman'

One of the most important aspects of the context in which the Pace case was discussed was the debate around women's roles.

As Adrian Bingham, in his excellent book Gender, Modernity and the Popular Press in Inter-War Britain, notes:
‘Flapper’ has often been described as ‘one of the defining words of the Twenties; equally pervasive was the visual image of modern femininity, slim, short-skirted with cropped hair. ... ‘In the old days,’ [an article from Newspaper World in August 1927] claimed, ‘a two-page account of a murder...was the great attraction; now it seems to be what some well-known man or woman thinks of the modern girl.’ ... ‘If a future chronicler were to study the files of our newspapers,’ speculated the novelist Rose Macaulay in 1925..., ‘he would get the impression that there had appeared at this time a strange new creature called woman who was receiving great attention from the public.’ (pp. 48-49)

Mrs. Pace, who was 38 at the time of her trial and idealised as a traditional wife and doting mother, hardly fit the image of the 'flapper': nonetheless, her presentation in the press was influenced by the discussions around the 'modern woman'.

That's a long story (to which I devote a whole chapter in the book).

However, as is well known, 1928 was the year in which women's voting rights were equalised with those of men.

There was a lot of discussion around the 'flapper vote', but I think my favourite contribution to it was the following advert, which appeared shortly before the 1929 general election, the first in which women could vote on equal terms as men:

Daily Herald, 20 May 1929, p. 3

Tuesday, 7 February 2012

Period feel: advertising

In researching The Most Remarkable Woman in England, I spent a lot of time reading newspapers from the late 1920s.

There are many things that I enjoyed about that experience, but one of them relates to something that had nothing to do with the main topic of my book: advertising. Not all newspaper adverts were interesting, clever, amusing or silly. But many of them were. And, in looking through my records on the case, I have run across several that are, I think, worth sharing.

So, based on the argument that they might provide a little late 20s atmosphere (and on the fact that I just like them), I thought I'd start a new occasional series here on adverts.

The first one is, at least thematically, somehow related to the Pace case: it features the police.

(Daily Herald, 7 April 1927, p. 8)
Of course, I do not advocate the purchase or use of any of the products advertised....

Tuesday, 22 November 2011

Selling the story: 'Eighteen Years of Hell'

Starting from the period in mid-January 1928 when the name 'Pace' hit the headlines in connection with the mysterious death of Beatrice's Husband Harry, the case remained a fixture in the sensation-hungry press of inter-war Britain.

The high point in press and public interest was, however, the trial itself in early July and the period immediately following it. I'll be posting more images and descriptions related to those events at some point. But for now something slightly different.

On the day after Beatrice's acquittal, the rights to her 'life-story' were sold to the Sunday Express (The story of how this came about features in one of the chapters of the book.)

This image shows an advertisement for the serialised autobiography which appeared in the Daily Mail.

Daily Mail 13 July 1928, p. 19. 

Not only did '18 years of Hell' become one of my chapter headings, but the text in the opening paragraph contained the phrase which is now the book's main title, 'the most remarkable woman in England'.