Christmas at Rose Cottage

While something like this belongs on the Pace case 'timeline' series that I've been maintaining (and which will shortly be revived for another year of marking key events in the case), I presume that most of you will be doing other things on Christmas Day than reading this blog. (I know that I will be...)

So, I thought I would offer the following brief excerpt from the book, which has a definite Christmas connection, even if it's far from being filled with Christmas cheer.

To briefly set the scene: in December 1928, Harry Pace was ill at home, having returned from the Gloucester Royal Infirmary in late October. His condition appears to have been somewhat improving after his return.

However... 

On Christmas morning, [Harry's eldest daughter] Dorothy had, as usual, gone to light the fire in her father’s room. He told her not to bother as he would be coming downstairs. Putting the firewood into the grate, she noticed a bottle and placed it on a chest of drawers. Beatrice went upstairs to ask Harry about it, and Dorothy heard him reply, ‘I don’t know nothing.’

With [younger daughter] Doris’s assistance, Harry came downstairs for the first time since returning home. Rather than a joyful occasion, however, a terrifying scene unfolded. As Dorothy explained, her father, ‘in one of his tempers’, grabbed the tongs from the kitchen fireplace and attacked Beatrice. Dorothy intervened, and Harry, thwarted, bashed in the fireguard before sitting down.

After a pause, he took a straight razor from the cupboard and told his family to ‘clear out’ or else he would kill them. The two boys fled, and Beatrice sent Doris to fetch Joseph Martin, a neighbour who lived a couple hundred yards away.  Harry had ‘cooled down’ by the time Martin arrived, and he then returned to his room.  He would never again leave it alive.

Harry cried bitterly that afternoon and begged for his wife’s forgiveness. His condition, meanwhile, worsened, and on Boxing Day, Beatrice walked miles through deep snow to [family doctor William] Du Pré. She explained Harry’s outburst and said he was suffering from stomach pains, ‘feverish headache’ and shivering. The snow prevented Du Pré from attending until the next day, when he found Harry suffering from severe abdominal pain and vomiting.

He diagnosed gastric influenza. 

Du Pre's diagnosis, as described in the book, would not hold up for very long.

In that spirit: Wishing you all a happy (and, above all, peaceful and healthy) Christmas!

(Passage taken from The Most Remarkable Woman in England:Poison, Celebrity and the Trials of Beatrice Pace, pp. 15-16.) 

The press and the 'tragic widow'

A typical page from the World's Pictorial News (which was among the more sensationalist newspapers of the time) with coverage of the Pace case, featuring pictures of Beatrice, Dorothy, Doris and Jean Pace (and an unnamed lamb):

World's Pictorial News, 13 May 1928, p. 10

Beatrice was, by the way, widely referred to as 'the tragic widow'.

This image comes from the period of the coroner's inquest, before Beatrice was charged with her husband's murder.

Fame, Fleet Street and the tragic widow

Along with being a book about crime and justice history, The Most Remarkable Woman in England explores aspects of the 1920s version of what today is known as 'celebrity culture'.

In many ways, clearly, the last couple of decades have seen a dramatic expansion in the ways for people to become 'celebrities', even if only briefly: 'reality' TV, casting shows and the Internet.

But while there is much that has changed in how unknown people now become well-known 'celebrities' overnight, the phenomenon itself is far from new. For example, the second half of the nineteenth century witnessed the emergence of a 'new journalism' which focused on dramatic, emotionally reported 'human interest' stories. This style was pioneered by the Daily Telegraph (founded in 1855) and the later growth of tabloids such as the Daily Mail, Daily Express and Daily Mirror. Here lay the origins of Britain's sensationalist (and prurient) press culture that has often gone under the shorthand term of 'Fleet Street'.* 

The 1920s and 30s were in some sense a 'golden age' of press reporting: newspaper circulations were growing rapidly (especially among women readers) and the press did not as yet face competition from radio and television news. By this time photography had become a common feature in the papers, which may have helped to establish a more immediate (though imagined) connection between readers and those reported upon. Crime -- the more sensational the better -- was a favourite topic, and probably the main vehicle whereby 'ordinary' people became nationally-known figures. This is, of course, something that remains true.

Whether the subjects of these stories became popular or merely notorious depended a great deal on the specific circumstances of the case as well as the ways that journalists decided to spin the case. Beatrice Pace was fortunate in that, although suspected of (and then charged with) murder, she was consistently depicted as a sympathetic figure, even before her eventual acquittal and the sale of her life story to the Sunday Express.

Why and how that was so is a rather long tale and a major focus of my book.

But this is a good example of how the case was presented to the public at the more sensationalist end of the press spectrum, in the World's Pictorial News. (Click on the image for a larger version.)

To give some context: this article appeared in the midst of the lengthy coroner's inquest into Harry Pace's death: Beatrice at this point was (officially) not a suspect in the case. As was often true, the papers didn't get everything right: for example, the caption referring to the lad feeding the lamb refers to 'Kenneth' Pace when his name was actually Selwyn (often called 'Teddy'). This sort of error recurred often across the year or so that the case was in the news. The story about the 'suddenly' interrupted funeral is also not entirely accurate (as I explain).

I aim to present further such images in the future, but I thought this time around I'd also give some background.

My research into the newspaper reporting on the case was one of the most enjoyable parts of writing the book, and it led me to other projects that I've been working on in recent years, such as a study of police powers, civil liberties and the term 'the third degree' in the 1920s: a couple of these articles can be seen here and here.

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*Interesting overviews of this history can be found in Kevin Williams, Get me a murder a day! A history of mass communication in Britain (London, 1998) and Adrian Bingham, Family newspapers?: Sex, private life, and the British popular press 1918-1978 (Oxford, 2009)

A family in the spotlight

One of the many photos of the Pace family that featured in the press coverage on the case. (There were dozens more, some of which will be making their appearance here in the months to come.)

This would have appeared even before the inquest into Harry Pace's mysterious death properly began.

From left: Leslie, Dorothy, Selwyn, Beatrice and Doris Pace.

(World's Pictorial News, 5 February 1928.)